According to Biersack, the diversity of material stems from the band membersвЂ™ expanding musical palettes. The album intro and the вЂњSpectresвЂќ interlude veer into atmospheric instrumental territory, вЂњCrimson SkiesвЂќ is more aggro than the rest, while the vocal melody in the intro to вЂњBorn AgainвЂќ sounds like it could launch into EDM territory. The new music features revved-up riffs, radiant guitar and vocal harmonies varied tempos and BiersackвЂ™s impassioned singing. The comic book synopsis describes the story of a scientist whose world falls apart and who seeks redemption through his avenging actions. The Phantom TomorrowВ is the Black Veil BridesвЂ™ third concept album, preceded by 2013вЂ™s Wretched and Divine: The Story of the Wild Ones and its Vale prequel. So much of our interest is in stuff like Misfits or those kinds of things where theyвЂ™re singalong-able or that you can be in a rock crowd and pump your fist and sing the chorus to. вЂњThatвЂ™s where we have our sweet spot, so I donвЂ™t know that thereвЂ™s a conscious decision.

вЂњWe just tend to be around four minutes because thatвЂ™s where as a band we feel like weвЂ™ve reached maximum songitude, or whatever you want to call it,вЂќ ponders Biersack. It has crafted long songs before, but only when it feels justified. The group still keeps its tunes in the 3:30 to 4:30 time range, which comes from an intuitive place rather than an overt plan. 29 on Sumerian Records) brims with the melodic heavy rock that fans have come to expect from Black Veil Brides, albeit in a darker vein than their last album, 2018вЂ™s Vale. Beyond The Blackbird, The Phantom Tomorrow (arriving Oct.

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